The Tangent, the progressive rock group led by Andy Tillison, have announced the release of the first new music since 2015. Their new ninth studio album ‘The Slow Rust of Forgotten Machinery’ is set for release on 21st July 2017. The line-up for this album once again features Tillison on keyboards, vocals (and for the first time on a Tangent record – drums), Jonas Reingold on bass, Luke Machin on guitars and vocals, and Theo Travis on sax and flutes plus new member Marie-Eve de Gaultier on keys and vocals. There are also guest appearances from author/playwright and Chumbawamba founder Boff Whalley on vocals, and upcoming DJ/producer Matt Farrow.

Band leader Andy Tillison had this to say: “Roger Waters did prove the ability of Progressive Music to act as a vehicle to communicate ideas about the current world scene. In both Pink Floyd’s “The Final Cut” and his “Amused To Death” albums, Waters set a challenge to others in the genre. A challenge which has not been frequently accepted.”

The album sees The Tangent in political commentary mode once again – this time often focussing on the horrendous plight of refugees from war torn parts of the world – and the way in which they are treated by the West, and in particular by the tabloid press. The album laments the new trend in building walls and defending borders across the world yet takes time to look at the breakup of friendships and other more personal issues – along with a song about the fate of wildlife in the modern consumer world.

And it’s a Progressive Rock Record. Full of intricacies, long developed pieces, challenging arrangements and virtuoso playing from all members. New sounds and styles (the band have brought a DJ on board for some sections) – new voices and techniques (first female vocals in The Tangent since the “Not As Good As The Book” album 10 years ago). A new producer in the form of Luke Machin whose open and deep/clear sound is a major factor of this album, a new drummer in the form of Andy Tillison who decided at long last (after drumming for 30 years) to let his own performances guide the rest of the band rather than adding another musician later. And after 13 years of asking, Jonas finally agreed to play some double bass in a song where Luke also plays some Scat guitar and Andy does a full on drum solo.

“The Slow Rust Of Forgotten Machinery” also features stellar artwork from Marvel / DC Comics artist Mark Buckingham. The sleeve of the album is totally based on the music it contains and was especially created for this project.

The album will be available on limited digipak CD, gatefold 2LP + CD, and digital download, and you can find the full track-listing below:

  • Two Rope Swings
  • Doctor Livingstone (I Presume)
  • Slow Rust
  • The Sad Story of Lead and Astatine
  • A Few Steps Down the Wrong Road
  • Basildonxit

The band will head out on tour in support of the new record, once again joining forces with Sweden’s Karmakanic to present albums by both bands. The full list of dates is as follows:

  • Aug 26th 2017 – Bierkeller, Reichenbach, DE
  • Sept 1st 2017 – 2 days of Prog +1 Festival, Veruno, Italy
  • Sept 9th 2017 – The Boerderij, Zoetermeer
  • Oct 8th 2017 – SUMMERS END Festival, Chepstow, UK
  • Oct 21st 2017 – Progtoberfest, Chicago, USA
  • Oct 22nd 2017 – Shank Hall, Milwaukee WI, USA
  • Oct 24th 2017 – Token Lounge, Westland MI, USA
  • Oct 26th 2017 – Roxy & Dukes, Dunellen NJ, USA
  • Oct 27th 2017 – The Regent Theatre, Arlington MA, USA

Look out for more information in the coming weeks!
The Tangent online:
www.thetangent.org
https://www.facebook.com/groups/alltangentmembers/

INSIDEOUTMUSIC ONLINE:
www.insideoutmusic.com
www.youtube.com/InsideOutMusicTV
www.facebook.com/InsideOutMusic
www.twitter.com/insideouteu
www.myspace.com/insideoutlabel

Visit the new Insideout Shop:
www.insideoutshop.de


Our very own Andrew Wild has a new book about to be released!

Pink Floyd – Song By Song is an in-depth analysis of evrything Pink Floyd ever released and is a fascinating read.

Pink Floyd: Song by Song takes a fresh look at the music that led to Pink Floyd becoming the third best-selling band of all time. From Arnold Layne to Louder Than Words , Pink Floyd wrote about anger, isolation, regret, dismay and fear. These themes, not always obvious starting points in popular music, were married to a rare dynamism in rock music. Pink Floyd s most successful period critically and musically eight albums from 1970 to 1983 combine the pithy lyrics of Roger Waters, the soulful voice and breath-taking guitar solos of David Gilmour and, until 1979, the jazz influenced piano and keyboard abilities of the late Richard Wright. These three together wrote the band s best work, usually in combinations of twos and threes, but also individually. When working together as equals, the three principals of Pink Floyd were significantly more than the sum of their individual strengths.

You can order the book from Amazon and many good book sellers!

This news story was originally published here: http://theprogressiveaspect.net/blog/2017/07/21/comedy-of-errors-house-of-the-mind/

Just in time for their Saturday night performance at 2017’s Night of Prog Festival at Loreley on 15th July, Comedy of Errors return with House of the Mind, a collection of great new music, which also includes a newly arranged version of their classic Ever Be the Prize.

A six-piece from Glasgow in Scotland, Comedy of Errors are a progressive rock band who remain one of the sole links to the then new take on prog music in the 1980s and ’90s. All five of the new tracks are outstanding, and great additions to Comedy of Errors body of work, and I would love to have been at Night of the Prog to hear the songs live for the first time. Opener Tachyon lives up to its name with a fast and powerful tempo. “We defeat them, we go on. We will triumph!” – Yes! This band is a great link to the style of IQ and Pendragon, the track charging out of the door like a rocket, taking you high as piano and keyboards soar along with the glittering guitar work. Joe Cairney’s vocals call us all to live our lives to a higher standard than the one the world seems mired in today. Rock on!

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The title track opens with one of those cool keyboard instrumentals we all love and cherish. Very ELP, it is truly memorable and, at over 14 minutes, epic with the support of an echoed backing chorus and filled with drenching guitars and power drums. Joe sings, “Take all the feelings that you’ll ever find and then, lock them away with you deep in the house of the mind”, and with today’s encroaching technology, government and private enterprise taking more and more of our privacy, our connection to feelings of empathy and memories may only have one safe place left… the mind. It’s a powerful song recalling and beckoning a return to when life – and what we did with it – actually mattered.

A Moment’s Peace is the kind of instrumental we all need each morning when we wake, the wonderful guitar surely making the mind wander back to the better days of old. The keyboard work is haunting and familiar and the kind you would wish to hear on every great progressive record. Behold the beauty and joy of this drift back in time and savour every minute. One Fine Day opens with the lyrics, “Remember a time when we made friends with the sun, and we could always outrun our cares – they’d not yet begun?” Yes, we all remember our childhoods, and just like Marillion, this is a Childhood’s End kind of song, of remembrance for the days which will stay with us forever. Keeping the theme, Song of Wandering Jacomus opens with wonderful Marillion-like guitar, string and keyboards. It’s another epic of over 13-minutes, a prog masterpiece full of glittering guitar, bells, and Vangelis-like keyboard images. Then the lead guitar plunges through the mist and fog to call us all to hear the story as Joe sings, “Our time together was all too cut short then again. And she comes to me day and night”, maybe like Cathy from Wuthering Heights, stirring even more glorious memories of the past.

Laid out in the 12-page lyric book within the digipak you will find some tremendous words which will stay with you long after the song ends; “And though I am old as I wander these lands, one day I will find her, one day I will kiss her… The path was a circle that lay ever knowing, beyond…” At song’s end, you can even hear a homage to Genesis’ Silent Sorrow in Empty Boats – nice!

I am a relative newbie to Comedy of Errors, although they have been making music since 1984, and the last song on the album is a re-arranged version of a very old song. Ever the Prize was their first recorded demo from 1985, but the music and lyrics fit this new album perfectly. I listened to the original version to hear any differences, Joe’s voice has lost that young, innocent sound, but in exchange it is now more dynamic and full of greater confidence and assurance.

“Where do we go from here?” That is everyone’s biggest question. “Experience will teach you, given time, they say? Only what is out of reach, can ever be the prize”. I’d say that Joe and the band have reached the prize for sure, delivering an impressive recording that is more than proof that Comedy of Errors have survived where others have not, reaching the alter of prog leadership and deserving the respect and recognition of the bands that they themselves idolized as teens…

TRACK LISTING
01. Tachyon (6:15)
02. House of the Mind (14:48)
03. A Moment’s Peace (4:09)
04. One Fine Day (2:48)
05. Song of Wandering Jacomus (13:39)
06. Ever Be The Prize (9:00)

Total Time – 50:39

MUSICIANS
Jim Johnston – Songwriter, Keyboards
Joe Cairney – Vocals
Sam McCulloch – Guitars
Mark Spalding – Guitars, Backing Vocals
Bruce Levick – Drums & Percussion
John (The Funk) Fitzgerald – Bass, Backing Vocals

ADDITIONAL INFO
Record Label: Independent
Country of Origin: U.K.
Date of Release: 16th June 2016

LINKS
Comedy of Errors – Website | Facebook | Bandcamp

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Northern Star   200717

 

Kim Seviour Special “ Recovery Is learning”

Northern Star  Pallas Theme

  • Fairport convention – Fotheringay
  • Anathema – Lost Song pt 2
  • Thieves Kitchen – Prodigy
  • District 97 – perfect young man
  • Anchoress – PS Fuck You
  • Kim Seviour – Fantasise to realise
  • Lonely Robot – Oubliette
  • Touchstone – Black tide
  • Kim Seviour – Mother Wisdom
  • Kim Seviour – Chiasma
  • Kim Seviour & Alan reed – Love song
  • Kim Seviour Call to action
  • We are kin – Tides of Midnight
  • Tori Amos – Cornflake Girl
  • Cloud atlas – let the blood flow
  • Linkin Park – By Myself & In the end
  • Trippa – Drowning
  • Kim Seviour – Fantasise to realise
  • https://www.white-star-records.com/store/recovery_is_learning

Tunein on http://tunein.com/radio/Progzilla-Radio-s242911/

The Google app or the Apple App

Repeat Shows Tuesdays 1.00am bst & 3.00pm bst

Podcasts of all the shows are available here

http://www.progzilla.com/category/podcast/northern-star/feed/

Subscribe to the show here

http://www.progzilla.com/shows/northern-star/

If you have an requests or ideas about shows

Or anything else for that matter?

Northern Star   130717

Northern Star  Pallas Theme

  • Tangerine Dream – Ultima Thule
  • Porcupine tree – Always never
  • Hipiersonik – Stalker Borys
  • Gong Radio Gnome 1 & 11
  • Crippled Black Phoenix – My Enemies I Fear Not, but Protect Me From My Friends
  • District 97 – Termites
  • The Fierce and the Dead – Dancing robots
  • The mars Volta – Eriatarka
  • Frank Zappa – Transyvania Boogie
  • Meshuggah – Inside what’s behind
  • Sigur Ros – Rafstraumer
  • Guapo – Twisted Stems – the heliotrop
  • Gnidrolog – Peter
  • King Crimson – Elephant talk 12 “ mix
  • Cardiacs – I’m eating in bed
  • Peter Hammill – The institute of Mental health, Burning
  • Thumpermonkey – Sleeve
  • Knifeworld – I am lost
  • Mono – Ashes in Snow
  • Coheed and Cambria – Time Consumer
  • Magma – C’est La vie Qui les a menes la!
  • Anglagard – Ifrån Klarhet Till Klarhet
  • Poisoned Electrick head – Out of Order
  • VDGG – A Plague of Lighthouse keepers

Tunein on http://tunein.com/radio/Progzilla-Radio-s242911/

The Google app or the Apple App

Repeat Shows Tuesdays 1.00am bst & 3.00pm bst

Podcasts of all the shows are available here

http://www.progzilla.com/category/podcast/northern-star/feed/

Subscribe to the show here

http://www.progzilla.com/shows/northern-star/

If you have an requests or ideas about shows

Or anything else for that matter?

Contact me on [email protected]

This news story was originally published here: http://theprogressiveaspect.net/blog/2017/07/21/david-gilmour-live-at-pompeii-to-be-released-in-september/

David Gilmour announce the release of Live at Pompeii, through Sony Music, on 26th September 2017 and will be available on 2-CD, Blu-ray, 2-DVD, 4-LP, deluxe Blu-ray box and download.

“The Blu-ray and DVDs include highlights from the concert performances of both shows, filmed in 4k by director Gavin Elder. The audio, available on CD and LP, was mixed by Andy Jackson and David Gilmour, assisted by Damon Iddins. The formats run to around 148 minutes each, with more than 2 additional hours of material included in the deluxe 4-disc Blu-ray / CD set.

The Pompeii concerts marked a return by David to the venue 45 years after Pink Floyd filmed in the legendary Roman Amphitheatre there, his two spectacular shows forming part of the year-long tour in support of the No.1 album Rattle That Lock. David’s performances were the first-ever rock concerts for an audience in the stone Roman amphitheatre, and, for two nights only, the 2,600-strong crowd stood exactly where gladiators would have fought in the first century AD.

The stellar performances are complemented by an audio-visual spectacle, featuring lasers, pyrotechnics and a trademark huge circular screen, but paramount is the music; the show includes songs from throughout David’s career, solo and with Pink Floyd, including One Of These Days, the only song that was also performed by the band there in 1971, and six songs from Rattle That Lock, as well as two from 2006’s On An Island.

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The release of Live At Pompeii will be preceded by a worldwide cinema screening… details can be found HERE

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This news story was originally published here: http://www.insideoutmusic.com/newsdetailed.aspx?IdNews=19949&IdCompany=8

The Tangent, the progressive rock group led by Andy Tillison, have released their new ninth studio album ‘The Slow Rust of Forgotten Machinery’ today! To celebrate, watch Andy discuss the making of the album in this new interview: https://youtu.be/ky5Tx4iZK1g

The album is available on limited digipak CD, gatefold 2LP + CD, and digital download here: http://smarturl.it/TheTangentTSROFM

Andy comments: “This is our furthest reaching, most ambitious and genuinely heartfelt album since we began our career together. It is the result of our experiences, friendships, disasters and successes over 15 years. We believe in not just OUR music, but the ability of Progressive Rock to be a real life movement in today’s world. This album is our attempt to prove this philosophy true.”

The album has been receiving some fantastic reactions from press, you can find a few of them below:
“Eloquent, far-reaching prog” – Prog Magazine
“sophisticated and spot on” – Classic Rock
“This is essential listening” – Powerplay
“simply masterful…The Tangent are indeed back.” – The Prog Report
“one of the most unique-sounding and technically-impressive groups ever to come out of the British Isles” – Get Ready To Rock

Listen to an excerpt of the track ‘Slow Rust’ here: https://youtu.be/9X1OhUYntEU
Listen to the track ‘Two Rope Swings’ here: https://youtu.be/s9ins8XqqRI

The line-up for this album once again features Tillison on keyboards, vocals (and for the first time on a Tangent record – drums), Jonas Reingold on bass, Luke Machin on guitars and vocals, and Theo Travis on sax and flutes plus new member Marie-Eve de Gaultier on keys and vocals. There are also guest appearances from author/playwright and Chumbawamba founder Boff Whalley on vocals, and upcoming DJ/producer Matt Farrow.

The album sees The Tangent in political commentary mode once again – this time often focussing on the horrendous plight of refugees from war torn parts of the world – and the way in which they are treated by the West, and in particular by the tabloid press. The album laments the new trend in building walls and defending borders across the world yet takes time to look at the breakup of friendships and other more personal issues – along with a song about the fate of wildlife in the modern consumer world.

And it’s a Progressive Rock Record. Full of intricacies, long developed pieces, challenging arrangements and virtuoso playing from all members. New sounds and styles (the band have brought a DJ on board for some sections) – new voices and techniques (first female vocals in The Tangent since the “Not As Good As The Book” album 10 years ago). A new producer in the form of Luke Machin whose open and deep/clear sound is a major factor of this album, a new drummer in the form of Andy Tillison who decided at long last (after drumming for 30 years) to let his own performances guide the rest of the band rather than adding another musician later. And after 13 years of asking, Jonas finally agreed to play some double bass in a song where Luke also plays some Scat guitar and Andy does a full on drum solo.

“The Slow Rust Of Forgotten Machinery” also features stellar artwork from Marvel / DC Comics artist Mark Buckingham. The sleeve of the album is totally based on the music it contains and was especially created for this project.

1. Two Rope Swings
2. Doctor Livingstone (I Presume)
3. Slow Rust
4. The Sad Story of Lead and Astatine
5. A Few Steps Down the Wrong Road
6. Basildonxit

The band will head out on tour in support of the new record, once again joining forces with Sweden’s Karmakanic to present albums by both bands. The full list of dates is as follows:
Aug 26th 2017 – Bierkeller, Reichenbach, Germany
Sept 1st 2017 – 2 days of Prog +1 Festival, Veruno, Italy
Sept 9th 2017 – The Boerderij, Zoetermeer, Netherlands
Oct 8th 2017 – SUMMERS END Festival, Chepstow, UK
Oct 21st 2017 – Progtoberfest, Chicago, USA
Oct 22nd 2017 – Shank Hall, Milwaukee WI, USA
Oct 24th 2017 – Token Lounge, Westland MI, USA
Oct 26th 2017 – Roxy & Dukes, Dunellen NJ, USA
Oct 27th 2017 – The Regent Theatre, Arlington MA, USA

The Tangent online:
www.thetangent.org
https://www.facebook.com/groups/alltangentmembers/

INSIDEOUTMUSIC ONLINE:
www.insideoutmusic.com
www.youtube.com/InsideOutMusicTV
www.facebook.com/InsideOutMusic
www.twitter.com/insideouteu
www.myspace.com/insideoutlabel

Visit the new Insideout Shop:
www.insideoutshop.de

If you missed this week’s Prog-Watch you can still listen at progwatch.com! Just follow this link: progwatch.com/429

There’s been no shortage of great music released so far this year. So to keep you on top of all the great sounds out there, this week I am doing a 100% ALL NEW variety show! Every song will come from an album released in 2017. We’ll hear from Sky Architect, Big Big Train, Cosmograf, The Winter Tree, Steven Wilson, Anathema, The Samurai of Prog, Nad Sylvan, and Drifting Sun. Dr. Rob Fisher will also take us on another voyage of progressive discovery, with the latest album by Steve Hackett.

This news story was originally published here: http://theprogressiveaspect.net/blog/2017/07/20/stanley-clarke/

The Fleece, Bristol
Wednesday 19th July 2017

Some gigs should never happen.

The obvious question here is – and with no disrespect at all to the venue – what on Earth is STANLEY CLARKE doing playing somewhere like The Fleece?! For four very rare U.K. shows outside London, an event that in all likelihood hasn’t happened since the ’70s, Clarke and his band of wonderful young musicians are playing in venues with capacities of a few hundred. That is just wrong!

Could it be that the smaller venues are an indication that the man, now 66 years old, is past his prime and playing wherever he can for change? Not a bit of it, from start to finish this was a blazing display, not only of raw talent and intuitive technique, but of musical understanding, it becoming obvious early on that this was to be a band performance, not simply a star with some side men. All of the players got their time in the spotlight, actively encouraged by Clarke who supported them strongly and was clearly getting a kick out of what they were doing.

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The word ‘legend’ is oft used, but couldn’t be more appropriate for a man of Stanley Clarke’s reputation. Innovative and hugely influential, his playing has been used as a yardstick for the bass guitar for more than 40 years now. I’ve had the good fortune off seeing some stunning bassists over the years but Clarke was a revelation, putting in a jaw-dropping turn with effortless ease. From slapping, strumming, harmonics and rhythmic percussive outbursts on the electric, he followed through to beautifully ornate and sophisticated jazz, his soloing always of the most melodic tone. It really didn’t matter what he played, and most of it was probably unknown to all but the fiercest SC die-hard, but there was a mighty cheer when the ubiquitous School Days made its expected appearance, a thrilling display of chops and tune that could never fail to get the people moving.

Stanley Clarke

The added improv skills of the ridiculously talented trio of additional players brought energy and inspiration off which Clarke fed. He has a history of developing young talent but in pianist Ruslan Sirota, keyboard player Caleb McCampbell and drummer Mike Mitchell he has one fiery group of musicians at his disposal. To put it in context, unbelievable as it may sound, the band were so good that I often forgot that Mr Clarke was also on the stage! Ruslan’s exquisite technique and dexterity were highlighted early on, his melodic flights taking the music to new and unexpected places. The two keyboardist set up is an unusual choice but it works a treat, McCampbell adding more sweeping synth lines whilst also soloing to magnificent effect. For brief passages he deployed a Vocoder-like piece of equipment to add treated vocals to the mix, including a snatch from Paul McCartney’s Yesterday at one point.

Drummer Mitchell is a full-on force of nature who deserved his time to shine, playing with time signatures and massaging tempos whilst smashing his kit to matchwood one minute, adding the most deft and delicate touches the next and grinning like a man possessed throughout the whole near two hour set. Some commented afterwards that three drum solos was a bit much, and that may be true, but with almost psychic talents of this magnitude, when Mike goes off on one Clarke is shrewd and professional enough to let him get on with it.

All of the performances brought incredulous shakes of the head from the audience, people turning to each other in disbelief as the band eloquently showed why the best jazz musicians are the best musicians there are. After humorously introducing himself as Louis Armstrong, on Clarke’s part the set was split in two, the first focusing on the electric bass whilst the second resulted in some mesmerising double bass work, Stanley showing his equally magnificent technique on the upright, belying the unruly nature of the massive instrument and making it sing and dance, bright harmonics skittering off in all directions, sometimes coupled with Clark beating out rhythms on the shell. Sounds appeared that I’d never thought could come out of an acoustic bass and his playing was frequently outrageous and audacious, a majestic and enthralling performance throughout. Legend? You betcha, and on numerous moments tonight, Stanley Clark was the coolest dude alive.

Stanley Clarke

Having overrun the curfew, the band returned for a brief and funky encore, Clarke returning to his electric. I was hoping for more of this towards the end of the show but that was not to be and it is clear that the double bass is where Clarke’s heart lies these days, so it was nice to see it getting so much attention, despite my drooling anticipation of more slapping fireworks.

A complete honour to witness such a masterful display, a masterclass of technique, control and unadulterated enthusiasm for what they do, not a dry and empty experience built on technique alone but a complete performance to be savoured and enjoyed. Whoever decided that this was a show for The Fleece should be applauded as to see skills of this magnitude in such a compact environment was a thrill not to be missed, despite the comfort and sighting issues associated with standing venues.

Stanley Clarke

If you missed this, there’s still a couple of chances to catch this magical band in intimate surroundings in Glasgow and Leeds on 24th and 25th July. If you’re able, you know what to do.

And that was that. Having driven home I sat quietly, looking at my own trusty bass guitar, thinking of the hideous sounds I manage to wrench from it and dreaming what it might be like to play like Stanley Clarke. Realising the inevitable I took a hammer to it. And then cut my fingers off and fed them to the cat.

[With thanks to Mel Allen for the photos and video.]

SETLIST
Other than School Days, no idea!

MUSICIANS
Stanley Clarke – Electric Bass, Double Bass
Ruslan Sirota – Piano, Keyboards
Caleb McCampbell – Keyboards, Vocals
Mike Mitchell – Drums

LINKS
Stanley Clarke – Website | Facebook

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